ORHAN
KEMAL’S LIFE STORY
(15.09.1914
- 02.06.1970)
Orhan
Kemal, (Mehmet Raşit Öğütçü) writer of short stories and
novels was born in Adana in 1914 and died in Sofia in 1970.
His father, Abdülkadir Kemali, was an MP from Kastamonu
during the first term parliament of the Turkish Republic. Abdülkadir
Kemali, a lawyer by profession, established The Ahali Party
which was dissolved causing its founder to have to flee to
Syria. In order to accompany his father, Orhan Kemal had to
miss his final year of secondary school. Orhan Kemal stayed in
Syria for a year, returning to Adana in 1932. He worked as a
labourer, weaver and clerk in cotton gin mills. During his
military service he was sentenced to 5 years imprisonment for
his political opinions. Bursa prison became a turning point in
his life and art work as he met Nazım Hikmet who greatly
influenced him. On his release in 1943, Orhan Kemal, moved to
İstanbul (1951), where he worked as a labourer, a vegetable
transporter and then as a clerk for the Tuberculosis
Foundation. From 1950 onwards he tried to live upon the income
gained from writing. Orhan Kemal died in Bulgaria. His body
was returned to Turkey and buried in Zincirlikuyu cemetary.
Kemal’s
first poem was published in Yedigün under the name of Raşit
Kemal (Duvarlar 25.04.1939) Further poems written under the
same pen name are Yedigün and Yeni Mecmua 1940. On meeting
Nazım Hikmet, Kemal wrote under the name of “Orhan Raşit”
(Yeni Edebiyat 1941) Impressed by Nazım Hikmet, Kemal
concentrated on stories as opposed to poems. His first story,
“Bir Yılbaşı Macerası”, being published in 1941. In
1942 he adopted the name Orhan Kemal when writing stories and
poems in Yürüyüş. He found fame through stories in Varlık
in 1944, his first collection of short stories “Ekmek Kavgası”,
and first novel “Baba Evi”, was published in 1949. Early
works depicted characters form the immigrant quarters of Adana
Kemal described the social structure, worker employer
relationships and the daily struggles of petty people from
industrialised Turkey. He aimed to present an optimistic view
through the heros of his stories. He never changed his simple
exposition and thus became one of the most skilful names of
Turkish stories and novels. He also wrote film scripts and a
play called “İspinozlar”. Dramatisations have been made
of “72.Koğuş”, “Murtaza”, “Eskici Dükkanı”,
“Kardeş Payı”. After his death a novel award was
arranged in his name (1971).
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